Since We Met
Since We Met | ||||
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Live album by The Bill Evans Trio | ||||
Released | 1976 | |||
Recorded | January 11 & 12, 1974 | |||
Genre | Jazz | |||
Length | 46:12 | |||
Label | Fantasy F 9501 | |||
Producer | Helen Keane and Orrin Keepnews | |||
Bill Evans chronology | ||||
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Since We Met is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell, recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1976.[1] Additional recordings from Evans's 1974 Village Vanguard performances were also issued on the album Re: Person I Knew, released posthumously in 1981. Since We Met was digitally remastered and reissued as a CD in 1991 on Original Jazz Classics.[2][3]
Repertoire
The album features four compositions by others and three originals, including the first recorded version of the title track, which was dedicated to and named by Evans's wife, Nanette. Two other numbers, "See-Saw" from the 1973 musical of that title and "Sareen Jurer" by Evans's friend Earl Zindars, a composer he frequently covered, were new to his repertoire and intended for this album. Evans soon dropped "See-Saw," but "Sareen Jurer" was performed nightly by the trio for the next few years.[4] The other four compositions had all been recorded previously by Evans and remained in his repertoire to the end.[5]
Reception
The AllMusic review by Scott Yanow awarded the album 4 stars and called it "a good example of Bill Evans' early-'70s trio as it typically sounded in clubs."[6]
Review scores | |
---|---|
Source | Rating |
Allmusic | [6] |
The Rolling Stone Jazz Record Guide | [7] |
The Penguin Guide to Jazz Recordings | [8] |
All About Jazz critic Dan McClenaghan placed this album "Near or at the top" among Evans's later career recordings.[9]
The jazz critic and historian Ted Gioia notes that "Evans was a persistent champion of 'But Beautiful,' featuring it with his own trio as well as on all-star collaborations with Tony Bennett and Stan Getz. I especially like the less known version ... from the album Since We Met—Evans's solo here captures a relaxed, conversational way of phrasing, almost as if some private lyrics known only to the pianist are in his mind as he constructs melodic lines to match them."[10]
Track listing
- All compositions by Bill Evans except as indicated
- "Since We Met" - 8:52
- "Midnight Mood" (Joe Zawinul) - 6:53
- "See-Saw" (Cy Coleman) - 6:53
- "Sareen Jurer" (Earl Zindars) - 6:39
- "Time Remembered" - 5:27
- "Turn Out the Stars" - 5:07
- "But Beautiful" (Johnny Burke, Jimmy Van Heusen) - 6:21
- Recorded at the Village Vanguard, New York City on January 11 & 12, 1974.
Personnel
- Bill Evans - piano
- Eddie Gómez - bass
- Marty Morell - drums
- Recorded and remixed by Michael De Lugg
- Mastered by David Turner
- Remastering (1991) - Phil De Lancie
- Liner notes - Max Gordon
- Cover painting - Ron Warwell
References
- ^ Fantasy Album Discography, Part 5: F-9500 to F-9599 Main Series (1976-1980) by David Edwards, Mike Callahan, Patrice Eyries, Randy Watts and Tim Neely (Last update: November 19, 2010) Retrieved March 17, 2013
- ^ Bill Evans discography accessed March 22, 2010
- ^ Since We Met at Discogs (Original Jazz Classics, OJCCD-622-2). Retrieved March 17, 2013
- ^ Pettinger, Peter, Bill Evans: How My Heart Sings, Yale University Press (1998), pp. 221-222.
- ^ "Bill Evans Discography," https://www.jazzdisco.org/bill-evans/discography/, JAZZDISCO.org, Accessed 27 May 2024.
- ^ a b Yanow, S. Allmusic Review accessed March 22, 2010
- ^ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. pp. 73. ISBN 0-394-72643-X.
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 458. ISBN 978-0-141-03401-0.
- ^ McClenaghan, Dan, "The Bill Evans Trio: On A Monday Evening," https://www.allaboutjazz.com/on-a-monday-evening-bill-evans-fantasy-jazz-review-by-dan-mcclenaghan, AllAboutJazz.com, Accessed 27 May 2024.
- ^ Gioia, Ted, The Jazz Standards: A Guide to the Repertoire, Oxford University Press (2012), p. 49.
- v
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albums
- New Jazz Conceptions
- Tenderly: An Informal Session
- Everybody Digs Bill Evans
- On Green Dolphin Street
- The Ivory Hunters
- Portrait in Jazz
- Know What I Mean?
- Explorations
- Nirvana
- Undercurrent
- Moon Beams
- How My Heart Sings!
- Interplay
- Empathy
- Loose Blues
- The Solo Sessions, Vol. 1
- The Solo Sessions, Vol. 2
- The Gary McFarland Orchestra
- Conversations With Myself
- Plays the Theme from The V.I.P.s and Other Great Songs
- Trio 64
- Stan Getz & Bill Evans
- Waltz for Debby
- Trio '65
- Bill Evans Trio with Symphony Orchestra
- Intermodulation
- A Simple Matter of Conviction
- Further Conversations with Myself
- Alone
- What's New
- From Left to Right
- Quiet Now
- The Bill Evans Album
- Living Time
- Eloquence
- Symbiosis
- Intuition
- The Tony Bennett/Bill Evans Album
- Alone (Again)
- Quintessence
- Together Again
- Crosscurrents
- I Will Say Goodbye
- You Must Believe in Spring
- New Conversations
- Affinity
- We Will Meet Again
albums
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- Waltz for Debby
- Time Remembered
- At Shelly's Manne-Hole
- Bill Evans at Town Hall
- The Bill Evans Trio "Live"
- California Here I Come
- Bill Evans at the Montreux Jazz Festival
- Jazzhouse
- You're Gonna Hear from Me
- Montreux II
- The Tokyo Concert
- Half Moon Bay
- Since We Met
- Re: Person I Knew
- But Beautiful
- Blue in Green: The Concert in Canada
- Montreux III
- Getting Sentimental
- Live in Buenos Aires 1979
- Homecoming
- The Paris Concert: Edition One
- The Paris Concert: Edition Two
- Turn Out the Stars: The Final Village Vanguard Recordings
- Letter to Evan
- Turn Out the Stars
- The Last Waltz: The Final Recordings
- Consecration: The Final Recordings Part 2
albums
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- "Waltz for Debby"
- "Funkallero"
- "Blue in Green"
- "Flamenco Sketches"
- "Time Remembered"
- "Peace Piece"
members
- Monty Budwig
- Larry Bunker
- Jack DeJohnette
- Eddie Gómez
- Chuck Israels
- Marc Johnson
- Philly Joe Jones
- Sam Jones
- Teddy Kotick
- Joe LaBarbera
- Scott LaFaro
- Michael Moore
- Marty Morell
- Paul Motian
- Gary Peacock
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