Portrait in Jazz
Portrait in Jazz | ||||
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Studio album by The Bill Evans Trio | ||||
Released | 1960 | |||
Recorded | December 28, 1959 | |||
Studio | Reeves Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 43:20 (original LP) 61:13 (CD reissue) | |||
Label | Riverside RLP 12-315 | |||
Producer | Orrin Keepnews | |||
The Bill Evans Trio chronology | ||||
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Portrait in Jazz is the fifth studio album by American jazz pianist Bill Evans as a leader, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian.
Background
Eight months after his successful collaboration with Miles Davis on the album Kind of Blue, Evans recorded Portrait in Jazz with a new group, the first Bill Evans Trio, that helped change the direction of modern jazz.
Most notably, LaFaro's bass is promoted from a mere accompanying instrument to one of almost equal status to the piano, although not to the extent that it would be on later albums such as Sunday at the Village Vanguard. Evans said of LaFaro, "I was astounded by his creativity .... There was so much music in him, he had a problem controlling it. ... He certainly stimulated me to other areas, and perhaps I helped him contain some of his enthusiasm. It was a wonderful thing and worth all the effort that we made later to suppress the ego and work for a common result."[1]
Motian had recorded previously with Evans on his debut album, New Jazz Conceptions, as well as in groups led by Tony Scott, George Russell, and others.[2] Evans biographer Keith Shadwick notes that Motian at this point tended to avoid standard bop formulas and would "react instead to what he actually heard coming from the other two musicians," which "added in no small degree to the unique quality of Evans's first working trio."[3]
Repertoire
The album includes seven jazz standards and two Evans compositions. The Disney song "Someday My Prince Will Come" had first been used as a vehicle for modern jazz by Dave Brubeck two years earlier on his album Dave Digs Disney and two years later would serve as the title track for an album by Miles Davis.[4] It would remain a staple of Evans's repertoire to the end of his career, with many later live recordings of it in circulation.[5]
Evans's composition "Peri's Scope" was inspired by his then-girlfriend, Peri Cousins, who said the recording made her feel "immortal."[6] It has gone on to be covered several dozens times, including by important jazz artists such as Fred Hersch (1990) and Chick Corea (2011).[7] The last track on the album is a new trio version of "Blue in Green," a composition with disputed authorship that had first appeared as the third track on Kind of Blue, where it was credited exclusively to Miles Davis. Here, it's co-credited to Davis and Evans. The pianist said that "it's my tune, even though Miles is credited ... for reasons only he understands. One day at Miles's apartment he wrote on some manuscript paper the symbols for G-minor and A-augmented. And he said, 'What would you do with that?' I didn't know, but I went home and wrote 'Blue in Green.'"[8]
Portrait in Jazz is one of Evans's more up-tempo and swinging albums, the presence of several ballads notwithstanding.
Reception
Review scores | |
---|---|
Source | Rating |
DownBeat | [9] |
AllMusic | [10] |
Mojo | (no rating) [11] |
Encyclopedia of Popular Music | [12] |
Tom Hull | A−[13] |
Jazzwise | [14] |
The Penguin Guide to Jazz Recordings | [15] |
Reviewing the album for AllMusic, critic Scott Yanow wrote, "the influential interpretations were far from routine or predictable at the time. LaFaro and Motian were nearly equal partners with the pianist in the ensembles .... A gem."[10] Danny Eccleston of Mojo commented, "Portrait In Jazz—Evans' fifth record as a band leader—gets you every which way. At its least great, it is merely brilliant .... But what makes Evans extra-extra-special is the way his playing drags you in and shares the vulnerability at its core. Oh, the humanity!"[11]
Evans biographer Peter Pettinger says that "the plateau attained on Portrait was high indeed, its fresh vistas possessed of a new subtlety in the execution."[16] He also singles out the performance of "Spring Is Here" by Richard Rodgers as "a magnificent example of [Evans's] lyrical touch."[17] Shadwick refers to the album as establishing "the blueprint for every subsequent working trio that Evans would run."[18]
Reissues
Portrait in Jazz was released on compact disc in 1987 by Riverside/Original Jazz Classics with four alternative takes as bonus tracks. In 2008, a 24-bit remastered edition was released by Riverside as part of its "Keepnews Collection."
Track listing
- "Come Rain or Come Shine" (Harold Arlen, Johnny Mercer) – 3:24
- "Autumn Leaves" (Joseph Kosma, Jacques Prévert, Johnny Mercer) – 6:00
- "Witchcraft" (Cy Coleman, Carolyn Leigh) – 4:37
- "When I Fall in Love" (Victor Young, Edward Heyman) – 4:57
- "Peri's Scope" (Bill Evans) – 3:15
- "What Is This Thing Called Love?" (Cole Porter) – 4:36
- "Spring Is Here" (Richard Rodgers, Lorenz Hart) – 5:09
- "Someday My Prince Will Come" (Frank Churchill, Larry Morey) – 4:57
- "Blue in Green" (Miles Davis, Bill Evans) – 5:25
Bonus tracks on CD reissue:
- "Come Rain or Come Shine" [Take 4] - 3:23
- "Autumn Leaves" [Take 9, mono] - 5:25
- "Blue in Green" [Take 1] – 4:39
- "Blue in Green" [Take 2] – 4:26
Personnel
Additional personnel
- Orrin Keepnews – producer
- Jack Higgins – engineer
- George Horn – mastering
References
- ^ Shadwick, Keith, Bill Evans: Everything Happens to Me, Backbeat Books (2002), p. 82.
- ^ "Bill Evans Discography," https://www.jazzdisco.org/bill-evans/discography/, Accessed 23 June 2024.
- ^ Shadwick, p. 82
- ^ Gioia, Ted, The Jazz Standards: A Guide to the Repertoire, Oxford University Press (2012), p. 381.
- ^ "Bill Evans Discography."
- ^ Pettinger, Peter, Bill Evans: How My Heart Sings, Yale University Press (1998), p. 93.
- ^ "Peri's Scope," https://secondhandsongs.com/work/120311/all, Accessed 23 June 2024.
- ^ Keepnews, Orrin, "Portrait in Jazz—Revisited," Portrait in Jazz liner notes, Riverside (2008), p. 12.
- ^ Down Beat: September 15, 1960 Vol. 27, No. 19
- ^ a b Yanow, Scott. "Portrait in Jazz > Review". AllMusic. Retrieved June 28, 2011.
- ^ a b Eccleston, Danny. "Portrait in Jazz > Review". Mojo. Archived from the original on May 22, 2011. Retrieved June 28, 2011.
- ^ Larkin, Colin (2007). Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN 978-0195313734.
- ^ Hull, Tom (n.d.). "Essential Jazz Albums of the 1950s". tomhull.com. Retrieved March 12, 2020.
- ^ "Bill Evans – Portrait In Jazz ★★★★★". Jazzwise. 22 July 2019. Retrieved 30 July 2020.
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 456. ISBN 978-0-141-03401-0.
- ^ Pettinger, p. 93.
- ^ Pettinger, p. 95.
- ^ Shadwick, p. 82.
External links
- Jazz Discography entries for Bill Evans
- Bill Evans Memorial Library discography
- v
- t
- e
albums
- New Jazz Conceptions
- Tenderly: An Informal Session
- Everybody Digs Bill Evans
- On Green Dolphin Street
- The Ivory Hunters
- Portrait in Jazz
- Know What I Mean?
- Explorations
- Nirvana
- Undercurrent
- Moon Beams
- How My Heart Sings!
- Interplay
- Empathy
- Loose Blues
- The Solo Sessions, Vol. 1
- The Solo Sessions, Vol. 2
- The Gary McFarland Orchestra
- Conversations With Myself
- Plays the Theme from The V.I.P.s and Other Great Songs
- Trio 64
- Stan Getz & Bill Evans
- Waltz for Debby
- Trio '65
- Bill Evans Trio with Symphony Orchestra
- Intermodulation
- A Simple Matter of Conviction
- Further Conversations with Myself
- Alone
- What's New
- From Left to Right
- Quiet Now
- The Bill Evans Album
- Living Time
- Eloquence
- Symbiosis
- Intuition
- The Tony Bennett/Bill Evans Album
- Alone (Again)
- Quintessence
- Together Again
- Crosscurrents
- I Will Say Goodbye
- You Must Believe in Spring
- New Conversations
- Affinity
- We Will Meet Again
albums
- Sunday at the Village Vanguard
- Waltz for Debby
- Time Remembered
- At Shelly's Manne-Hole
- Bill Evans at Town Hall
- The Bill Evans Trio "Live"
- California Here I Come
- Bill Evans at the Montreux Jazz Festival
- Jazzhouse
- You're Gonna Hear from Me
- Montreux II
- The Tokyo Concert
- Half Moon Bay
- Since We Met
- Re: Person I Knew
- But Beautiful
- Blue in Green: The Concert in Canada
- Montreux III
- Getting Sentimental
- Live in Buenos Aires 1979
- Homecoming
- The Paris Concert: Edition One
- The Paris Concert: Edition Two
- Turn Out the Stars: The Final Village Vanguard Recordings
- Letter to Evan
- Turn Out the Stars
- The Last Waltz: The Final Recordings
- Consecration: The Final Recordings Part 2
albums
- Piano Player
- "Waltz for Debby"
- "Funkallero"
- "Blue in Green"
- "Flamenco Sketches"
- "Time Remembered"
- "Peace Piece"
members
- Monty Budwig
- Larry Bunker
- Jack DeJohnette
- Eddie Gómez
- Chuck Israels
- Marc Johnson
- Philly Joe Jones
- Sam Jones
- Teddy Kotick
- Joe LaBarbera
- Scott LaFaro
- Michael Moore
- Marty Morell
- Paul Motian
- Gary Peacock
musicians
articles