Ver Sacrum (magazine)
Ver Sacrum (meaning "Sacred Spring" in Latin) was the official magazine of the Vienna Secession. Founded by Gustav Klimt and Max Kurzweil,[1] it was published from 1898 to 1903,[2][3] featuring drawings and designs in the Secession style along with literary contributions from distinguished writers from across Europe. Koloman Moser was the magazines chief designer.[4] These included Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer, Josef Maria Auchentaller and Arno Holz.[5]
See also
References
- ^ Ader Paris
- ^ Peter Brooker; Sascha Bru; Andrew Thacker; Christian Weikop (2013). The Oxford Critical and Cultural History of Modernist Magazines. Vol. III. Oxford: Oxford University Press. p. 1006. ISBN 978-0-19-965958-6.
- ^ Béatrice Joyeux-Prunel (Spring 2015). "Provincializing Paris. The Center-Periphery Narrative of Modern Art in Light of Quantitative and Transnational Approaches". Artl@s Bulletin. 4 (1): 47.
- ^ Rosenman, Roberto. "VER SACRUM -". Retrieved 2024-03-25.
- ^ Peter Vergo (1975). Art in Vienna 1898-1918: Klimt, Kokoschka, Schiele, and their Contemporaries. London: Phaidon. ISBN 0-7148-1600-0.
External links
- by the Austrian National Library's digitalised editions: Ver Sacrum (magazine) (Online bei ANNO)Template:ANNO/Maintenance/vsa
- Digitized issues of Ver Sacrum on the website of the University of Heidelberg
- E-Books of Ver Sacrum on the website of the Belvedere Museum
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- Secession Building (1898)
- Ver Sacrum (1898–1903)
- Beethoven Frieze (1902)
- Austrian Postal Savings Bank (1906)
- Kirche am Steinhof (1907)
- Stoclet Palace (1911)
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