To Helen
"To Helen" is the first of two poems to carry that name written by Edgar Allan Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend.[1] It was first published in the 1831 collection Poems of Edgar A. Poe. It was subsequently reprinted in the March 1836 issue of the Southern Literary Messenger. The final, revised version appeared in the 1845 collection The Raven and Other Poems.
Analysis
In "To Helen", Poe is celebrating the nurturing power of woman.[2] Poe was inspired in part by Samuel Taylor Coleridge, particularly in the second line ("Like those Nicean barks of yore") which resembles a line in Coleridge's "Youth and Age" ("Like those trim skiffs, unknown of yore").[3]
Poe revised the poem in 1845, making several improvements, most notably changing "the beauty of fair Greece, and the grandeur of old Rome" to "the glory that was Greece and the grandeur that was Rome." Poe biographer Jeffrey Meyers referred to these as "two of Poe's finest and most famous lines".[4]
Allusions
In referring to Helen, Poe is alluding to Helen of Troy who is considered to be the most beautiful woman who ever lived — according to the goddess Venus in the myth referred to as The Judgement of Paris. Helen of Troy was "the face that launched a thousand ships" such as the "Nicean barks" of the poem. Poe also refers to Helen as Psyche, a beautiful princess who became the lover of Cupid. Psyche represented the soul to ancient Greeks, and Poe is comparing Helen to the very soul of "regions which are Holy Land" meaning the soul of Greece from which so much of our ideals of beauty, democracy and learning sprang forth. In ancient Greek, the name Helen literally means "sunlight; bright as the dawn". Her "agate lamp" may refer to the moment when Psyche discovered the true identity of Cupid by shining a lamp on him at night; it also refers to the enlightened knowledge of the ancient world, which still influences Western culture today. Guy Davenport has asserted that Poe is "normally far more exact that he is given credit for":
Sappho, whom Poe is imitating, had compared a woman's beauty to a fleet of ships. Byron had previously written lines that Poe outbyrons Byron with, in "the glory that was Greece / And the grandeur that was Rome." But how is Helen also Psyche; who is the wanderer coming home? Scholars are not sure. In fact, the poem is not easy to defend against the strictures of critics. We can point out that Nicaean is not, as has been charged, a pretty bit of gibberish, but the adjective for the City of Nice, where a major shipworks was: Marc Antony's fleet was built there. We can defend perfumed sea, which has been called silly, by noting that classical ships never left sight of land, and could smell orchards on shore, that perfumed oil was an extensive industry in classical times and that ships laden with it would smell better than your shipload of sheep.[5]
Full poem
Original 1831 version
Helen, thy beauty is to me
Like those Nicean barks of yore,
That gently, o'er a perfum'd sea,
The weary way-worn wanderer bore
To his own native shore.
On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the beauty of fair Greece,
And the grandeur of old Rome.
Lo ! in that little window-niche
How statue-like I see thee stand!
The folded scroll within thy hand —
A Psyche from the regions which
Are Holy land !
Revised 1845 version
Helen, thy beauty is to me
Like those Nicean barks of yore
That gently, o'er a perfumed sea,
The weary, way-worn wanderer bore
To his own native shore.
On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece,
And the grandeur that was Rome.
Lo, in yon brilliant window-niche
How statue-like I see thee stand,
The agate lamp within thy hand,
Ah! Psyche, from the regions which
Are Holy Land!
In popular culture
- This poem possibly inspired "Banolata Sen"("বনলতা সেন") by 20th century Bengali poet Jibanananda Das.[citation needed]
- The poem is recited by Tom Hanks in the 2004 Coen Brothers film The Ladykillers.
- The poem is used by Dennis Barlow to seduce Aimée Thanatogenos in The Loved One by Evelyn Waugh[6]
- The poem appears in the Richard Powers novel Galatea 2.2.
- The poem is cited in The new Atlantis by Ursula Kroeber Le Guin.
References
- ^ Burns, Allan Douglas. Thematic Guide to American Poetry. Westport, Connecticut: Greenwood Press, 2002, p. 2.
- ^ Kennedy, J. Gerald. "Poe, 'Ligeia,' and the problem of Dying Women" collected in New Essays on Poe's Major Tales, edited by Kenneth Silverman. Cambridge University Press, 1993: 115. ISBN 0-521-42243-4
- ^ Campbell, Killis. "The Origins of Poe", The Mind of Poe and Other Studies. New York: Russell & Russell, Inc., 1962: 153–154.
- ^ Jeffrey Meyers, "Edgar Allan Poe", in The Columbia History of American Poetry. Columbia University Press, 1993: 181.
- ^ Davenport, Guy (October 1997). The Geography of Imagination. Boston: David R. Godine. p. 7. ISBN 1567920802.
- ^ Jeffrey Meyers, "Edgar Allan Poe", in The Columbia History of American Poetry. Columbia University Press, 1993: 331.
External links
- Works related to To Helen at Wikisource
- An omnibus collection of Poe's poetry at Standard Ebooks
- The Works of Edgar Allan Poe, Raven Edition, Volume 5 public domain audiobook at LibriVox
- v
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- "Tamerlane" (1827)
- "Al Aaraaf" (1829)
- "Sonnet to Science" (1829)
- "To Helen" (1831)
- "The City in the Sea" (1831)
- "The Haunted Palace" (1839)
- "The Conqueror Worm" (1843)
- "Lenore" (1843)
- "Eulalie" (1843)
- "The Raven" (1845)
- "Ulalume" (1847)
- "A Dream Within a Dream" (1849)
- "Eldorado" (1849)
- "The Bells" (1849)
- "Annabel Lee" (1849)
- "Metzengerstein" (1832)
- "The Duc de L'Omelette" (1832)
- "Bon-Bon" (1832)
- "MS. Found in a Bottle" (1833)
- "Berenice" (1835)
- "Morella" (1835)
- "The Unparalleled Adventure of One Hans Pfaall" (1835)
- "Ligeia" (1838)
- "A Predicament" (1838)
- "The Devil in the Belfry" (1839)
- "The Man That Was Used Up" (1839)
- "The Fall of the House of Usher" (1839)
- "William Wilson" (1839)
- "The Conversation of Eiros and Charmion" (1839)
- "The Business Man" (1840)
- "The Man of the Crowd" (1840)
- "The Murders in the Rue Morgue" (1841)
- "A Descent into the Maelström" (1841)
- "Never Bet the Devil Your Head" (1841)
- "Eleonora" (1841)
- "The Oval Portrait" (1842)
- "The Masque of the Red Death" (1842)
- "The Mystery of Marie Rogêt" (1842)
- "The Pit and the Pendulum" (1842)
- "The Tell-Tale Heart" (1843)
- "The Gold-Bug" (1843)
- "The Black Cat" (1843)
- "The Spectacles" (1844)
- "A Tale of the Ragged Mountains" (1844)
- "The Premature Burial" (1844)
- "The Oblong Box" (1844)
- "The Angel of the Odd" (1844)
- "Thou Art the Man" (1844)
- "The Purloined Letter" (1844)
- "Some Words with a Mummy" (1845)
- "The Thousand-and-Second Tale of Scheherazade" (1845)
- "The Imp of the Perverse" (1845)
- "The System of Doctor Tarr and Professor Fether" (1845)
- "The Facts in the Case of M. Valdemar" (1845)
- "The Cask of Amontillado" (1846)
- "Loss of Breath" (1846)
- "Hop-Frog" (1849)
- "Maelzel's Chess Player" (1836)
- "The Philosophy of Furniture" (1840)
- "Morning on the Wissahiccon" (1844)
- "The Philosophy of Composition" (1846)
- "The Poetic Principle" (1846)
- Eureka: A Prose Poem (1848)
- Politian (1835)
- The Conchologist's First Book (1839)
- The Balloon-Hoax (1844)
- The Light-House (1849)
- Virginia Eliza Clemm Poe (wife)
- Eliza Poe (mother)
- David Poe Jr. (father)
- William Henry Poe (brother)
- Rosalie Mackenzie Poe (sister)
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- In popular culture
- Poe Toaster
- Tales of Mystery & Imagination
- Edgar Allen Poe (1909 film)
- The Raven (1915 film)
- The Loves of Edgar Allan Poe (1942 film)
- The Man with a Cloak (1951 film)
- Edgar Allan Poe: Once Upon a Midnight (2004 play)
- The Raven (2012 film)
- The Pale Blue Eye (2022 film)