The Green Manuela
- Clara Ratzka (novel)
- Fritz Podehl
- Imre Frey
- Lucie Labass
- Josef Winter
- Grete Berger
- Angelo Ferrari
- Werner Brandes
- Karl Puth
company
- 10 October 1923 (1923-10-10)
- Silent
- German intertitles
The Green Manuela (German: Die grüne Manuela) is a 1923 German silent drama film directed by Ewald André Dupont and starring Lucie Labass, Josef Winter and Grete Berger. The film is based on a novel by Clara Ratzka. A gypsy dancer becomes involved with some smugglers in Spain. The film's plot bears a number of similarities to Carmen.[1] It was the first time Dupont worked with the cinematographer Werner Brandes and the art director Alfred Junge who were to become important collaborators with him.[2] The poster of this movie is seen in Russian director Dziga Vertov's movie Man with a Movie Camera (1929) playing at a theater named the Proletarian. It's a symbol of Vertov's disdain of Western fanciful films.
Cast
- Lucie Labass as Manuela
- Josef Winter as Carlos Llorrente
- Grete Berger as Frau Gazul
- Kálmán Zátony as Juan Llorrente
- Angelo Ferrari as Count Henri d'Amirón
- Arthur Bergen as Pedro
- Lydia Potechina as Leocadia Barboza
- Louis Ralph as Alfredo
- Geo Bergal as Vincente Delano
- Franz Groß as Old Man Llorrente
- Ari Anzo as Tonia Llorrente
- William Dieterle as Brito
- Giorgio De Giorgetti as Sergeant
References
Bibliography
- Bergfelder, Tim & Cargnelli, Christian. Destination London: German-speaking emigrés and British cinema, 1925-1950. Berghahn Books, 2008.
External links
- The Green Manuela at IMDb
- v
- t
- e
- Europe, General Delivery (1918)
- Midnight (1918)
- The Devil (1918)
- The Japanese Woman (1919)
- The Secret of the American Docks (1919)
- The Mask (1919)
- The Spies (1919)
- The Apache of Marseilles (1919)
- The Derby (1919)
- Alkohol (1919)
- World by the Throat (1920)
- The Grand Babylon Hotel (1920)
- The White Peacock (1920)
- Whitechapel (1920)
- Hearts Are Trumps (1920)
- Murder Without Cause (1921)
- The Vulture Wally (1921)
- Children of Darkness (1921)
- She and the Three (1922)
- The Green Manuela (1923)
- The Ancient Law (1923)
- The Humble Man and the Chanteuse (1925)
- Variety (1925)
- Love Me and the World Is Mine (1927)
- Moulin Rouge (1928)
- Piccadilly (1929)
- Atlantic (1929)
- Atlantik (1929)
- Atlantis (1930)
- Two Worlds (1930, UK)
- Two Worlds (1930, Germany)
- Les deux mondes (1930)
- Menschen im Käfig (1930)
- Le cap perdu (1931)
- Cape Forlorn (1931)
- Salto Mortale (1931)
- Salto Mortale (1931)
- Peter Voss, Thief of Millions (1932)
- The Marathon Runner (1933)
- Ladies Must Love (1933)
- The Bishop Misbehaves (1935)
- Forgotten Faces (1936)
- A Son Comes Home (1936)
- Night of Mystery (1937)
- On Such a Night (1937)
- Love on Toast (1937)
- Hell's Kitchen (1939)
- The Scarf (1951)
- Pictura: An Adventure in Art (1951, co-director)
- Problem Girls (1953)
- The Neanderthal Man (1953)
- The Steel Lady (1953)
- Return to Treasure Island (1954)
![]() | This 1920s drama film–related article is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e
![]() | This article related to a German silent film is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e