The Brain of the Dog in Section
The Brain of the Dog in Section | ||||
---|---|---|---|---|
![]() | ||||
Live album by Peter Brötzmann and Fred Lonberg-Holm | ||||
Released | 2008 | |||
Recorded | November 28, 2007 | |||
Venue | The Hideout, Chicago | |||
Genre | Free improvisation | |||
Length | 37:53 | |||
Label | Atavistic ALP186CD | |||
Peter Brötzmann chronology | ||||
|
The Brain of the Dog in Section is a live album by saxophonist Peter Brötzmann and cellist and electronic musician Fred Lonberg-Holm. It was recorded on November 28, 2007, at the Hideout in Chicago, and was released in 2008 by Atavistic Records.[1][2]
Regarding the experience of performing with Brötzmann, Lonberg-Holm remarked: "there is no playing around the edges, no sizing each other up. There will be no teeny little sounds. It's like, 'Here I am. This is me.' And from there, we work through the music. After we throw down our hands, the negotiations get started and we get into some areas that only the two of us can get into."[3]
Reception
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Tom Hull – on the Web | B+[4] |
In a review for AllMusic, Thom Jurek stated that the musicians make "an excellent case for showcasing the importance of listening in free improvisation," and acknowledged the "wealth of sonic textures and dynamics" on the album. He wrote: "The sparks on this set fly fast, but never loose. This is a deeply focused affair that gives listeners the best of both players on display at full-bore."[1]
Ted Gordon of All About Jazz described the album as "a solid expression, a sonically interesting meeting of musical voices, a simple, graceful exhalation," and commented: "This is healthy music—the sounds of vim and vigor, the exhaust of physical, musical and mental exertion... Like attending a Bikhram yoga session of the will and the mind... the music... is full of health, a spirulina-wheat grass shake spiked with kombucha and cayenne pepper."[5]
Paris Transatlantic's Massimo Ricci remarked: "this set... is so jam-packed with slicing shards, rusty spikes and Tasmanian Devil whirls-and-sputters that any attempt at description is doomed to failure... These artists may have become known quantities in the world of improvisation, but their encounter here offers previously overlooked facets of their musical personalities with every listen."[6]
Writing for JazzWord, Ken Waxman noted that Brötzmann's "reed command is so entrenched that his range overwhelms even if the textures exposed can resemble the death rattle of a carnivorous animal or the warning cries of a carrion-seeking bird of prey," and stated that "Lonberg-Holm's harsh oscillations, ring modulator-suggested vamps and agitated sul ponticello flanges are perfect in this context, since they set up abrasive counterpoint to the reedist's blustering multiphonics."[7]
A writer for the Downtown Music Gallery commented: "Although The Brain of the Dog was recorded in an ultra-industrial urban warehouse district, the resulting music is uber-organic, almost onomatopoeic at points. Certainly, fans of Schwarzwaldfahrt, Brotzmann and Han Bennink's now classic free-jazz camping trip deep into Germany's Black Forest, are strongly urged to check into this seminal blast!"[8]
Track listing
- "Section 1" – 13:52
- "Section 2" – 19:39
- "Section 3" – 4:22
Personnel
- Peter Brötzmann – tenor saxophone, alto saxophone, B♭ clarinet, tárogató
- Fred Lonberg-Holm – cello, electronics
References
- ^ a b c Jurek, Thom. "Peter Brötzmann: The Brain of the Dog in Section". AllMusic. Retrieved October 30, 2023.
- ^ "Peter Brötzmann - The Brain of the Dog in Section". Jazz Music Archives. Retrieved October 30, 2023.
- ^ Tunis, Walter (February 21, 2010). "With this improv duo, 'there will be no teeny little sounds'". Kentucky.com. Retrieved October 30, 2023.
- ^ Hull, Tom. "Grade List: Peter Brotzmann". Tom Hull – on the Web. Retrieved October 30, 2023.
- ^ Gordon, Ted (June 6, 2009). "Peter Brotzmann - Sweet Sweat & The Brain Of The Dog In Section". All About Jazz. Retrieved October 30, 2023.
- ^ Ricci, Massimo (February 2009). "Lent 2009". Paris Transatlantic. Retrieved October 30, 2023.
- ^ Waxman, Ken (April 8, 2009). "Fred Lonberg-Holm / Tony Malaby / John Hollenbeck / Peter Brötzmann". JazzWord. Retrieved October 30, 2023.
- ^ "DMG Newsletter". Downtown Music Gallery. October 23, 2020. Retrieved October 30, 2023.
- v
- t
- e
- For Adolphe Sax (1967)
- Machine Gun (1968)
- Nipples (1969)
- Brötzmann/Van Hove/Bennink (1973)
- Schwarzwaldfahrt (1977)
- The Nearer the Bone, the Sweeter the Meat (1979)
- Low Life (1987)
- Last Home (1990)
- Songlines (1991)
- The Dried Rat–Dog (1994)
- Tales Out of Time (2002)
- Still Quite Popular After All Those Years (2004)
- I Surrender Dear (2018)
- Memories of a Tunicate (2019)
- Fuck de Boere (1968 & 1970)
- 3 Points and a Mountain (1979)
- Opened, But Hardly Touched (1980)
- Alarm (1981)
- Andrew Cyrille Meets Brötzmann in Berlin (1982)
- Pica Pica (1982)
- Berlin Djungle (1984)
- Whatthefuckdoyouwant (1987)
- Hyperion (1992)
- Die Like a Dog (1993)
- Live at the Empty Bottle (1996)
- The Wels Concert (1996)
- The Chicago Octet/Tentet (1997)
- Little Birds Have Fast Hearts (1997)
- From Valley to Valley (1998)
- Stone/Water (1999)
- Aoyama Crows (1999)
- Never Too Late But Always Too Early (2001)
- Historic Music Past Tense Future (2002)
- The Bishop's Move (2003)
- Guts (2005)
- American Landscapes (2006)
- Lost & Found (2006)
- The Brain of the Dog in Section (2007)
- Woodcuts (2008)
- 3 Nights in Oslo (2009)
- Mental Shake (2013)
- The intellect given birth to here (eternity) is too young (2018)
- The Catch of a Ghost (2019)
- Last Exit
- Globe Unity Orchestra