The Billy Taylor Trio with Candido
1955 studio album by Billy Taylor
The Billy Taylor Trio with Candido | ||||
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Studio album by Billy Taylor | ||||
Released | 1955 | |||
Recorded | September 7, 1954 | |||
Studio | Van Gelder Studio, Hackensack, NJ | |||
Genre | Jazz | |||
Length | 31:41 | |||
Label | Prestige PRLP 7051 | |||
Producer | Bob Weinstock | |||
Billy Taylor chronology | ||||
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The Bily Taylor Trio with Candido is an album by American jazz pianist Billy Taylor's trio with Cuban percussionist Candido Camero featuring tracks recorded in 1954 for the Prestige label.[1]
Reception
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Allmusic reviewer Stephen Cook stated: "A very nice program of Latin-tinged bop numbers".[2]
Track listing
All compositions by Billy Taylor, except where noted.
- "Mambo Inn" (Mario Bauzá, Edgar Sampson, Bobby Woodlen) – 4:51
- "Bit of Bedlam" – 5:14
- "Declivity" – 4:41
- "Love for Sale" (Cole Porter) – 7:46
- "A Live One" – 2:50
- "Different Bells" – 6:30
Personnel
- Billy Taylor – piano
- Earl May – bass
- Charlie Smith – drums
- Candido Camero – congas
References
- ^ Prestige Records discography accessed August 21, 2012
- ^ a b Cook, S. Allmusic Review accessed August 21, 2012
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1379. ISBN 978-0-141-03401-0.
- v
- t
- e
Years given are for the recording(s), not first release, unless stated otherwise.
- The Billy Taylor Touch (1951 & 1957)
- Billy Taylor Trio (1952 & 1953)
- Cross Section (1953 & 1954)
- The Billy Taylor Trio with Candido (1954)
- A Touch of Taylor (1955)
- My Fair Lady Loves Jazz (1957)
- The New Billy Taylor Trio (1957)
- Taylor Made Jazz (1957)
- One for Fun (1959)
- Billy Taylor with Four Flutes (1959)
- Warming Up! (1960)
- Interlude (1961)
- Kwamina (1961)
- Impromptu (1962)
- Sleeping Bee (1969)
- Urban Griot (2000)
- Billy Taylor Trio at Town Hall (1954)
- Uptown (1960)
- I Wish I Knew How It Would Feel to Be Free (1967)