The Apostle Matthew
The Apostle Matthew is a c. 1618-1620 painting by the Flemish artist Anthony van Dyck depicting Matthew the Apostle. One of its inspirations was probably the series of paintings of the Apostles he had seen in his master Rubens' studio around 1610, produced for the Duke of Lerma.[1][2][3][4] The smooth brushwork is consistent with the painter's other works from first period in Antwerp.[1]
Around 1914 it and a series of other paintings were acquired from an Italian private collection by the Dutch art dealer Julius Böhler - together the paintings were known as "the Böhler series" after him, though he sold them separately to various museums and private collections.[1][2][3][4][5]
In 2016, the current painting reappeared in the private collection of one Mrs Generet, along with a Self-Portrait by Jacob Jordaens. Both paintings were then donated to the Koning Boudewijnstichting, which decided to put it on long-term loan to the Rubenshuis, in Antwerp, making it the only painting of the series of van Dyck's apostles series now held in Belgium.[1][2][3][4][5]
See also
References
- ^ a b c d (in Dutch) De apostel Mattheüs, op de website van het Erfgoedfonds van de Koning Boudewijnstichting
- ^ a b c (in Dutch) Rubenshuis krijgt Van Dyck en Jordaens bij, De Standaard, 18 January 2017
- ^ a b c (in Dutch) Rubenshuis krijgt er binnenkort een Van Dyck en Jordaens bij
- ^ a b c (in Dutch) Koning Boudewijnstichting toont 2 herontdekte schilderijen van Van Dyck en Jordaens op BRAFA, Koning Boudewijnstichting, 18 January 2017
- ^ a b (in Dutch) Brafa, pop-upmuseum met koop-optie, 20 January 2017
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- Entry of Christ into Jerusalem (1617)
- Crucifixion with the Virgin, Saint John and Saint Mary Magdalene (1617–1619)
- Saint Martin Dividing his Cloak (1618)
- The Brazen Serpent (c. 1618–1620)
- The Apostle Matthew (c. 1618–1620)
- The Crowning with Thorns (1618–1620)
- The Betrayal of Christ (1618–1620)
- Bristol
- Madrid
- Minneapolis
- Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620)
- Samson and Delilah
- 1620
- 1630
- Susanna and the Elders (c. 1631–1632)
- Madonna and Child (1621–1627)
- The Mocking of Christ (1628–1630)
- The Coronation of Saint Rosalia (1629)
- The Vision of the Blessed Hermann Joseph (1629–1630)
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- Rest on the Flight into Egypt (1630)
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- The Resurrection (1631–1632)
- Madonna with Partridges (1632)
- Deposition / Lamentation over the Dead Christ
- 1615
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- 1629–1630
- 1634
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(1624–1625)
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- Drunken Silenus (1620)
- Jupiter and Antiope (1620)
- Diana and a Nymph Surprised by a Satyr (1622–1627)
- The Shepherd Paris (1628)
- Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632)
- Venus Asks Vulcan to Forge Arms for her Son Aeneas (1630–1632)
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- Triple Portrait of Henrietta Maria (1638)
- Mary Hill, Lady Killigrew (1638)
- William Killigrew (1638)
- Queen Henrietta Maria as St Catherine (1639)
- Luigia Cattaneo-Gentile (c. 1622)
- Magistrates of Brussels (Preparatory sketch) (1634–1635)
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- Mary Villiers, Lady Herbert of Shurland (c. 1636)
- Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
- Vienna (1613–1614)
- New York (1620–1621)
- Self-Portrait with a Sunflower (1632–1633)
- Self-portrait with Sir Endymion Porter (1635)
- London (1640)
- A Soldier on Horseback (c. 1616)
- Mucius Scaevola before Lars Porsenna (c. 1618–1620)
- Hendrick van Balen the Elder (master)
- Peter Paul Rubens (master)
- Paul de Vos (collaborator)
- Van Dyke beard
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