Demetrios Stavrakis
Greek painter
Demetrios Stavrakis | |
|---|---|
 The Prophet Jonah | |
| Born | 1735-1740 Zakynthos, Greece |
| Died | 1801 (1802) Zakynthos, Greece |
| Nationality | Greek |
| Known for | Iconography and hagiography |
| Movement | Heptanese School Greek Rococo Neoclassicism |
Demetrios Stavrakis (Greek: Δημήτριος Σταυράκης, 1735/40 – 1801), also known as the so-called Romanos (Greek: ο λεγόμενος Ρωμανός) was a Greek painter of the Heptanese School. His uncles were famous painters Andreas Stavrakis and Stylianos Stavrakis, active on the island of Zakynthos. Demetrios influenced both Greek and Italian artists. According to the Institute of Neohellenic Research, fifteen of his works survived. His most notable work was The Profit Jonah.[1][2][3][4]
History
He was born on the island of Zakynthos. He was a member of an elite family of painters. His uncles were Andreas Stavrakis and Stylianos Stavrakis. His uncle Andreas died in 1785. They were his teachers. Demetrios’s nickname was Romanos. His work was the traditional Greek mannerism prevalent on the Ionian Islands. His earliest known work was dated around 1755. According to records from the demolished church of Faneromeni, he painted the Holy Table inside of the alter on August 28, 1785. Demetrios was paid forty kuruş.[2]
His painting of Jonah and the Whale was uncommon to the prevalent style. The spatial orientation and the use of blue were unique attributes. The nude figure in the painting expressed humanistic realism. The whale releases the profit on the shore. The whale and the naked figure can also have their roots in Ancient Greek mythology the figure has a Poseidon-like character. Another painting that brilliantly used the shade of blue was the Miracle of Saint Spyridon. His signature was χειρ Δημητρίου Σταυράκη.[2]
References
- ^ Eugenia Drakopoulou (October 14, 2021). "Stavrakis (the so-called Romanos) Dimitrios". Institute for Neohellenic Research. Retrieved October 14, 2021.
- ^ a b c Hatzidakis, Manolis; Drakopoulou, Evgenia (1997). Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 2: Καβαλλάρος - Ψαθόπουλος [Greek Painters after the Fall of Constantinople (1450-1830). Volume 2: Kavallaros - Psathopoulos]. Athens: Center for Modern Greek Studies, National Research Foundation. pp. 375–376. hdl:10442/14088. ISBN 960-7916-00-X.
- ^ Stavrou, Theofanis G. (1998). Modern Greek Studies Yearbook Volumes 11-12. Minnesota, MI: University of Minnesota Modern Greek Studies Program. p. 99.
- ^ Georgopoulou Verra, Myrto (1999). Holy Passion, Sacred Images, The Interaction of Byzantine and Western Art in Icon Painting. Athens: S.U.N.Y. The University of Binghamton. p. 33-34. ISBN 9789602142578.
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Heptanese school (painting)
- Panagiotis Doxaras
- Nikolaos Doxaras
- Nikolaos Kantounis
- Nikolaos Koutouzis
- Nikolaos Kallergis
- Spyridon Ventouras
- Efstathios Karousos
- The Archangel Michael (Poulakis, 1640–1692)
- Constantine and Helen (I. Moskos, 1665–1721)
- The Fall of Man (Poulakis, 1640–1692))
- The Holy Towel (E. Tzanes, 1659))
- Saint Onuphrius (E. Tzanes, 1662))
- Jacob’s Ladder (E. Moskos, 1664–1666)
- The Miracle of the Holy Belt (Poulakis, 1640–1692))
- Virgin and Child on Bronze (E. Moskos, 1650–1687)
- Noah's Ark (Poulakis, 1660–1692)
- Adoration of the Shepherds (Tzangarolas, 1688–1700)
- Virgin Glykofilousa with the Akathist Hymn (Tzangarolas, 1700)
- The Holy Family (P. Doxaras, 1700)
- Virgin Glykofilousa (Karantinos, 1723)
- Angel Holding the Body of Christ (Kallergis, 1732)
- Vision of Constantine (Stavarkis, 1729–1786)
- Assumption of Mary (N. Doxaras, 1725–1775)
- The Prophet Jonah (Stavrakis, 1750–1800)
- The Deposition from the Cross (Stavrakis, 1729-1786)
- The Holy Trinity (Romas, 1764)
- Entry of Christ into Jerusalem (Karousos, 1780)
- A Scene from the Life of John Chrysostom (Ventouras, 1797)
- Saint Spyridon, John the Baptist, Saint Peter, and Saint George (Koutouzis, 1750–1813)
- Lamentation of Christ (Kantounis, 1790–1834)
