Bhimpalasi
- Dhanashri
- Dhani
- Patdip
- Pilu
- Abheri
Hindustani classical music |
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Bhimpalasi or Bheempalasi (also known as Bhimpalas or Bheempalas) is a Hindustani classical raga.
Raga Bhimpalasi belongs to the Kafi Thaat.[1]
Theory
The raga has komal Ni and Ga. Rishabh (second) and dhaivat (sixth) are skipped in āroha (ascending) passages, but are given due importance when descending (avroha). Since the scale has 5 notes ascending and all 7 descending, the resulting jāti is Audav–Sampūrṇa.[1] It is performed in the early afternoon, from 12:00 P.M. to 3:00 P.M. (the third prahar of the day).[4]
Use of dhaivat and rishabh is symmetrical in that both are approached via the succeeding notes (D from Ṉ, and R from G̱).G̱ is sung with a kaṇ-svara (grace note) of M. Similarly, Ṉ is sung with a kaṇ-svara from S.
- Vadi Swar: M[3][1]
- Samavadi Swar: S[3][1]
- Thaat: Kafi[3][1]
- Pakad or Chalan: Ṉ̣ S M ❟ M G̱ P M ❟ G̱ M G̱ R S[c][3]
Bandish Examples
A bandish is a composition in Hindustani classical music. Both of the following bandishes are examples of Bhimpalasi.
Bandish by Naimat Khan "Sadarang"
Sthāyi | Antara: | ||
---|---|---|---|
Devanāgarī | IAST | Devanāgarī | IAST |
जा जा रे अपने मन्दिरवा । सुन पावे गि (मोरि) सासनन दिया ॥ | jā, jā re apane mandiravā suna pāve gi (mori) sāsanana diyā | सुन हो सदारंग तुमको चाहत है । क्या तुम हमको चलन किया ॥ (or, क्या तुम हमको ठगन दिया ॥) जा जा रे... | suna ho Sadāraṅg, tumako cāhata hai kyā tuma hamako calana kiyā (or, kyā tuma hamako ṭhagana diyā) jā, jā re (repeat the sthāyi) |
This bandish is set in Teental. Pandit Jasraj is known for having sung this particular bandish; it is also in the repertoire of Sanjeev Abhyankar.
Prominent Bandish(Composition) by Acharya Dr. Pandit Gokulotsavji Maharaj "MadhurPiya"
The Bandish Initials(Bandish Name): "Gāo Bajāo Sab Mil Ātā Umaṅg So"
The Bandish is set in tāla Ektal[5]
Organisation and relationships
Related/similar ragas:
- Bageshree, Dhanashree, Dhani, Patdeep, Hamsakinkini, Patdeepaki
- In Carnatic music, Karnataka Devagandhari is the most similar raga, falling with Melakarta 22 (Karaharapriya).
Behaviour
The madhyam (fourth) is the most important note. It is also a nyāsa-svara (resting note) with emphasized elaboration around this note - S G̱ M ❟ M G̱ M ❟ G̱ M P ❟ M P G̱ M P ( M ) G̱ ( M ) G̱ M[d].
Film songs
Language: Hindi
Song | Movie | Composer | Singers |
---|---|---|---|
"Bina Madhur Madhur Kachhu Bol" | Ram Rajya (1943 film) | Shankar Rao Vyas | Saraswati Rane |
"Duniya Se Ji Ghabra Gaya" | Laila Majnu(1953 film) | Ghulam Mohammed (composer) | Lata Mangeshkar & Talat Mahmood |
Ye Na Thi Hamri Kismat | Mirza Ghalib (film) | Ghulam Mohammed (composer) | Suraiya |
Khilte Hain Gul Yahan | Sharmeelee | Sachin Dev Burman | Kishore Kumar & Lata Mangeshkar |
Khoya Khoya Chand | Kala Bazar | Sachin Dev Burman | Mohammed Rafi |
Man Mor Hua Matavala | Afsar(1948 film) | S. D. Burman | Suraiya |
Tumhi Ne Mujhko Prem Sikhya | Manmohan (film) | Ashok Ghosh | Surendra (actor) & Bibbo (actress) |
Jhanakar Payala Ki Tose Binati Kare | Nag Devata(1962 film) | S. N. Tripathi | Asha Bhosle |
Eri Main To Premdivani | Naubahar(1952 film) | Roshan (music director) | Lata Mangeshkar |
Yeh Zindagi Usiki Hai | Anarkali | C. Ramchandra | Lata Mangeshkar |
Mere Man Ka Bavara Panchhi | Amardeep (1958 film) | C. Ramchandra | Lata Mangeshkar |
O Nirdai Pritam | Stree (1961 film) | C. Ramchandra | Lata Mangeshkar |
Aaj Mere Man Sakhi Bansuri Bajaye Koi | Aan | Naushad | Lata Mangeshkar & Chorus |
Tere Sadke Balama | Amar (1954 film) | Naushad | Lata Mangeshkar |
Kuch Dil Ne Kaha | Anupama (1966 film) | Hemant Kumar | Lata Mangeshkar |
Aa Neele Gagan Tale Pya | Badshah (1954 film) | Shankar–Jaikishan | Lata Mangeshkar & Hemant Kumar |
Masoom Chehra | Dil Tera Diwana (1962 film) | Shankar–Jaikishan | Lata Mangeshkar & Mohammed Rafi |
Naino Me Badra Chhaye | Mera Saaya | Madan Mohan | Lata Mangeshkar |
Naghma-O-Sher Ki Saughaat | Gazal (1964 film) | Madan Mohan | Lata Mangeshkar |
"Samay O Dhire Chalo" | Rudaali | Bhupen Hazarika | Asha Bhosle |
"Maine Chand Aur Sitaron Ki" | Chandrakanta(1956 film) | Datta Naik | Mohammed Rafi |
Main Garibon Ka Dil | Abe-Hayat(1955 film) | Sardar Malik | Hemant Kumar |
Dil Ke Tukade Tukkade | Dada (1979 film) | Usha Khanna | K. J. Yesudas |
Hum Katha Sunate (Luv Kush Title Track) | Luv Kush (TV Series) | Ravindra Jain | Kavitha Krishnamurthy, Hemlatha |
Dil Mein Tujhe Bithake | Fakira | Ravindra Jain | Lata Mangeshkar |
Bole Mora Kangna | Bandish | Anand-Milind | Alka Yagnik & Kumar Sanu |
Tu Cheez Badi Hai Mast Mast | Mohra | Viju Shah | Udit Narayan & Kavita Krishnamurthy |
Eli Re Eli | Yaadein (2001 film) | Anu Malik | Hema Sardesai & Alka Yagnik & Kavita Krishnamurti |
Tu mile Dil khile | Criminal | M.M.Keeravani (a) Maragathamani (a) M.M. Kreem | Kumar Sanu, Alka Yagnik |
E Ajnabi | Dil Se.. | A. R. Rahman | Udit Narayan |
Guzarish (loosely based) | Ghajini | A. R. Rahman | Javed Ali |
Jiya Re | Jab Tak Hain Jaan | A. R. Rahman | Neeti Mohan |
Kabhi Kabhi Aditi (loosely baed) | Jaane Tu... Ya Jaane Na | A. R. Rahman | Rashid Ali |
Shabba Shabba | Daud (film) | A. R. Rahman | Sonu Nigam & Swarnalatha |
Radha kaise na jale | Lagaan | A. R. Rahman | Udit Narayan & Asha Bhosle |
Jiya (has more of Kafi as well) | Gunday | Sohail Sen | Arijit Singh |
Galti se Mistake (loosely based) | Jagga Jasoos | Pritam Chakraborty | Amit Mishra, Arijit Singh, Shubhanshu Kesharwani |
Language: Tamil
Note that the following songs are composed in Abheri, the equivalent of raga Bhimpalasi in Carnatic music.
Song | Movie | Year | Composer | Singer |
---|---|---|---|---|
Yaanai Thandham Pole | Amarakavi | 1952 | G. Ramanathan, T. A. Kalyanam | M. K. Thyagaraja Bhagavathar, P. Leela |
Thanga Nilavil | Thirumanam | 1958 | S. M. Subbaiah Naidu, T. G. Lingappa | A. M. Rajah, Jikki |
Vaarai Nee Vaarai | Manthiri Kumari | 1950 | G. Ramanathan | Thiruchi Loganathan, Jikki |
Kannan Mananilayai | Deivathin Deivam | 1962 | S. Janaki | |
Singaravelane Deva | Konjum Salangai | 1962 | S. M. Subbaiah Naidu | |
Kungumam Piranthathu Marathila | Paattondru Ketten | 1971 | C. Ramchandra | P. B. Sreenivas,P. Suseela |
Isai Thamizh | Thiruvilaiyadal | 1965 | K. V. Mahadevan | T. R. Mahalingam |
Kadhalaagi | Thiruvarutchelvar | 1967 | T. M. Soundararajan, Master Maharajan | |
Gangai Karai Thottam | Vanambadi | 1963 | P. Suseela | |
Komatha Engal Kulamatha | Saraswati Sabatham | 1966 | ||
Velodu Vilaiyaadum Murugaiyaa | Chitrangi | 1964 | Vedha | |
Radhaiyin Nenjame | Kanimuthu Paappa | 1972 | T. V. Raju (Credits Only) | |
Nalama Nalama | Ival Oru Pournami | 1986 | T. K. Ramamoorthy | |
Pazhamuthir Solaiyilae | Kuzhandaiyum Deivamum | 1965 | M. S. Viswanathan | |
Raagangal Pathinaaru | Thillu Mullu | 1981 | S. P. Balasubrahmanyam | |
Poo Malaiyil | Ooty Varai Uravu | 1967 | T. M. Soundararajan, P. Susheela | |
Malarnthum Malaradha | Pasamalar | 1961 | Viswanathan–Ramamoorthy | |
Thendral Urangiya Podhum | Petra Maganai Vitra Annai | 1958 | A. M. Rajah & P. Susheela | |
Anbu Megame | Engamma Sapatham | 1974 | Vijaya Bhaskar | S. P. Balasubrahmanyam, Vani Jairam |
Vanil Vazhum | Uruvangal Maralam | 1983 | S. V. Ramanan | |
Kuyile Kavikuyile | Kavikkuyil | 1977 | Illayaraja | S. Janaki |
Chendoora Poove | 16 Vayathinile | |||
Vasantha Kaala Kolangal | Thyagam | 1978 | ||
Naatham En Jeevanae | Kaadhal Oviyam | 1982 | ||
Chinna Chiru Vayathil | Meendum Kokila | 1981 | K. J. Yesudas, S. P. Sailaja | |
Megam Karukkuthu | Anandha Ragam | 1982 | K. J. Yesudas, S. Janaki | |
Velakku Vetcha | Mundhanai Mudichu | 1983 | Illayaraja, S. Janaki | |
Poovae Poochudava | Poove Poochooda Vaa | 1985 | K. J. Yesudas(ver 1), K. S. Chithra (ver 2) | |
Poombaaraiyil Pottu Vaicha | En Uyir Kannamma | 1988 | Ilaiyaraaja | |
Velli Golusu | Pongi Varum Kaveri | 1989 | Arunmozhi, K. S. Chithra | |
Kallidasan Kannadasan | Soorakottai Singakutty | P. Jayachandran, P. Susheela | ||
Poonkaaviyam (Natbhairavi in Charanam) | Karpoora Mullai | 1991 | K. J. Yesudas, P. Suseela, K. S. Chithra | |
Sangathamizh Kaviye (Ragamalika: Abheri, Bageshri, Sumanesa Ranjani) | Manathil Uruthi Vendum | 1987 | K. J. Yesudas, K. S. Chithra | |
Dhevadhai Poloru | Gopura Vasalile | 1991 | Malaysia Vasudevan, Mano, Deepan Chakravarthy, S. N. Surendar | |
Ennai Thottu | Unna Nenachen Pattu Padichen | 1992 | S. P. Balasubrahmanyam, Swarnalatha | |
Mayilaadum Thoppil | Chinna Pasanga Naanga | 1992 | S. P. Balasubrahmanyam, S. Janaki | |
Orellam Un Pattuthan | Orellam Un Pattu | 1991 | K. J. Yesudas, Swarnalatha(Pathos) | |
En Paattu En Paattu | Poomani | 1996 | Illayaraja | |
Punnaivana Ponguiyile | Sevanthi | 1994 | Arunmozhi, Swarnalatha | |
Adi Aasai Machaan | Kummi Paattu | 1999 | ||
Kanne Yen Kanmaniye | Kavithai Paadum Alaigal | 1990 | Mano, K. S. Chithra | |
Unn Manasile Paattuthaan | Paandi Nattu Thangam | 1989 | S. P. Balasubrahmanyam, K. S. Chithra | |
Poovendrum Ponne Endrum | Dhuruva Natchathiram | |||
Guruvayurappa | Pudhu Pudhu Arthangal | 1989 | ||
Deviye Naan Saranam | Thanga Thamaraigal | 1991 | ||
Muththamizhe Muththamizhe | Raman Abdullah | 1997 | ||
Kumbhabhisekham Koyiluku | Veera Thalattu | 1998 | ||
Medhuva Meduva | Annanagar Mudhal Theru | 1988 | Chandrabose | |
Saravana Poikayil | Poramai | 1980 | S.D.Sekar | K. J. Yesudas,B.S.Sasirekha |
Thanimayile | Sattam Oru Iruttarai | 1981 | Shankar–Ganesh | S. N. Surendar, S. Janaki |
Vennila Mugham Paduthu | Jyothi Malar | 1986 | K. J. Yesudas, Vani Jairam | |
Poove Nee Yaar Solli | Thaniyatha Thagam | A. A. Raj | Malaysia Vasudevan, S. Janaki | |
Kannodu Kaanbadhellam | Jeans | 1998 | A. R. Rahman | Nithyashree Mahadevan |
Taniye Taniye | Rangeela | 1995 | S. Janaki | |
Mel Isaiyae | Mr. Romeo | 1996 | Swarnalatha, Unni Menon, Srinivas, Sujatha | |
Muppadhu Nimidam | Parasuram | 2003 | P. Unnikrishnan, Sujatha Mohan | |
Sahana | Sivaji: The Boss | 2007 | Udit Narayan, Chinmayi, A. R. Rahman | |
Nagumo | Arunachalam | 1997 | Deva | Hariharan, K. S. Chithra |
Sempattu Poove | Purusha Lakshanam | 1993 | S. P. Balasubrahmanyam, K. S. Chithra | |
Pathinettu Vayadhu | Suriyan | 1992 | S. P. Balasubrahmanyam, S. Janaki | |
Un Marbile Vizhi Moodi(Reused Tune) | Ninaithen Vandhai | 1998 | K. S. Chithra & chorus | |
Poothirukkum Vaname | Pudhayal | 1997 | Vidyasagar | Hariharan, Uma Ramanan |
Malare Oru Varthai | Poomagal Oorvalam | 1999 | Siva | Hariharan, Sujatha Mohan |
Sollamalae | Poove Unakkaga | 1996 | S. A. Rajkumar | P. Jayachandran, Sujatha, Sunandha |
Oru Vaartha Kekka | Ayya | 2005 | Bharadwaj | Sadhana Sargam, KK |
Aasai Oviyam | Manjal Veiyil | 2009 | Bharadwaj | |
Pudhu Kadhal | Pudhukottaiyilirundhu Saravanan | 2004 | Yuvan Shankar Raja | Ranjith, Chinmayi |
Engeyo Paartha | Yaaradi Nee Mohini | 2008 | Udit Narayan | |
Endhan Uyir Thozhiyae | Winner | 2003 | ||
Unakkul Naane | Pachaikili Muthucharam | 2007 | Harris Jayaraj | Bombay Jayashri |
Kana Kaangiren | Ananda Thandavam | 2009 | G. V. Prakash Kumar | Nithyashree Mahadevan, Shubha Mudgal, Vinita, Uluwissu Santhoshan Suarez |
Uyire Uyire | Ellame En Kadhali | 1994 | M. M. Keeravani | Mano, K. S. Chithra |
Ya Ya Yadhava | Devaraagam | 1996 | S. P. Balasubrahmanyam, K. S. Chitra | |
Nee Korinal | 180 | 2011 | Sharreth | Karthik, Shweta Mohan |
Konjam Thenkasi(Charanam in Nattai) | Thenkasi Pattanam | 2002 | Suresh Peters | K.S. Chitra, Srinivas,Sriram |
Kannamma | Ispade Rajavum Idhaya Raniyum | 2019 | Sam C. S. | Anirudh Ravichander |
Album
Song | Language | Album | Composer | Lyricist | Singer | Audio Label / Licence to |
---|---|---|---|---|---|---|
Veral Veli | Tamil | Sandham | Rajan Somasundaram | Kapilar (Kuruntokai 18) | Bombay Jayashri | Rajan Somasundaram |
Suvakshoja Kumbham | Sanskrit | Sharada Bhujangam | Mahesh Mahadev | Adi Shankaracharya | Priyadarshini | PM Audios |
Palisennanu Sri Mahalakshmi | Kannada | Palisennanu Sri Mahalakshmi | Mahesh Mahadev | Purandara Dasa | Priyadarshini | PM Audios |
Manase Manase | Malayalam | Hridayam | ||||
Ghana Sundara | Sanskrit | Jagannath Bhakti Rath Yatra | Sri. Siba Prasad Rath | Dr. Naresh Chandra Dass | Abhilipsa Panda | Times Music Spiritual |
See also
Notes
- ^ Alternate notations:
- Carnatic: Ṇ₂ S G₂ M₁ P N₂ Ṡ
- Western: B♭ C E♭ F G B♭ C
- ^ Alternate notations:
- Carnatic: Ṡ N₂ D₂ P M₁ G₂ R₂ S
- Western: C B♭ A G F E♭ D C
- ^ Alternate notations:
- Carnatic: Ṇ₂ S M₁ ❟ M₁ G₂ P M₁ ❟ G₂ M₁ G₂ R₂ S
- Western: B♭ C F 𝄒 F E♭ G F 𝄒 E♭ F E♭ D C
- ^ Alternate notations:
- Carnatic: S G₂ M₁ ❟ M₁ G₂ M₁ ❟ G₂ M₁ P ❟ M₁ P G₂ M₁ P M₁ G₂ M₁ G₂ M₁
- Western: C E♭ F 𝄒 F E♭ F 𝄒 E♭ F G 𝄒 F G E♭ F G F E♭ F E♭ F
References
- ^ a b c d e f g h i j k "Raag Bheempalasi - Hindustani Classical Music". Tanarang.com. Retrieved 2022-08-25.
- ^ a b Bor & Rao 1999.
- ^ a b c d e f OEMI:BP.
- ^ "Tanarang". Retrieved 2023-05-05.
- ^ Mathur, Dr Neeta (2011). Shashtriya Sangeet Ke Surya Acharya Pandit Dr Gokulotsavji Maharaj. New Delhi: Radha Publication. p. 88. ISBN 978-81-7487-765-9.
Sources
- Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 40. ISBN 9780954397609.
- Bhimpalāsi Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983. Retrieved 12 October 2018.
- Gosvami, O. (1957). The Story Of Indian Music. Bombay: Asia Publishing House.
External links
- SAWF Article on Bhimpalasi and related raags
- ITC-SRA on Bhimpalasi
- SRA on Samay and Ragas
- SRA on Ragas and Thaats
- Rajan Parrikar on Ragas
- Film songs in Bhimpalasi
- More details about raga Bhimpalasi